2023 In Review

Let’s just be honest: I’m a few months late putting together my annual look-back.

It’s not because I didn’t have anything to say about my year last year. On the contrary, 2023 was a pretty great year, even if I didn’t shoot as much as in some previous years. I shot a couple of the biggest tours on the planet, and some artists that are the very definition of “legends” (look the word up in the dictionary, I’ll wait!) I have been trending toward being a little more selective about what I shoot in recent years, in an effort to balance my personal and working life with my photography life. I’m not chasing as many up-and-coming artists like I used to, which is a little sad, but much easier to manage (after all, those club shows tend to start and end a lot later!)

So what are these big tours and legends I had the chance to shoot this year? Let’s start with THE tour of 2023, The Eras Tour by one Taylor Swift. Photographing her show in Santa Clara was an amazing experience made even better by her incredible, thoughtful and helpful team. I don’t normally stick around till the end of shows anymore because I like to avoid traffic (it’s no fun editing your photos till two in the morning, and even less fun if you have to stay up till 4am because you decided you had to stay and watch the whole thing) but for this tour, I stayed for all three and a half glorious hours. No regrets.

Taylor Swift

The Eras Tour was the tour every was talking about this summer, but it wasn’t the biggest show at Levi’s Stadium I shot this summer - that honor goes to Ed Sheeran, who set an attendance record of 77,000+ for his show there. Finally getting to photograph Ed was a treat. Even better, he played an intimate show at the Fox Theater in Oakland the night before, which I was also able to get a ticket to (no photos allowed for that one sadly!) Two nights of Ed in two very different sized venues made for some pretty special memories.

Ed Sheeran

As great as these huge spectacle shows are to see and photograph, there was one small show this year that was my favorite. I was given the chance to cover the annual “Acoustic-4-A-Cure” benefit show held at the (legendary) Fillmore in San Francisco. Hosted by Sammy “The Red Rocker” Hagar of Van Halen and Bobby Weir of the Grateful Dead, Acoustic-4-A-Cure is a wonderful night of surprises as incredible, legendary (there’s that word again) performers come together to benefit the UCSF Benioff Children’s Hospital. This year’s lineup was stunning along with the hosts included: Joan Baez, Taj Mahal, Michael Anthony (Van Halen), Chris Isaak, Don Was and Nancy Wilson (Heart). Seeing all these incredible performers, a few of which had been born out of the San Francisco music scene during its 60’s heyday, was awe-inspiring. There were moments, such as when Bob Weir and his Wolfpack trio were playing the Dead’s hits, or when Joan Baez and Taj Mahal played their guitars as I crouched in the pit at their feet, that I just had to put my camera down and soak it all up. Goosebumps.

This year I made my return to the BottleRock Napa Valley music festival, where I had the chance to photograph a number of artists that I’ve always wanted to see live, including Nile Rodgers, Carly Rae Jepsen, Lizzo, Dogstar (with Keanu Reeves), Leon Bridges, Danielle Ponder, and many more. Festivals are exhausting and at times chaotic in the pits, but they can really pay off with some special performances.

I got to shoot another artist who I grew up listening to on the radio, and whose record So is in my all-time top 5 of favorite albums: Peter Gabriel.

Peter doesn’t tour a lot and takes his time putting out new records, so when he does release new music (the incredible I/O) and goes on tour in support of it, you knew I had to find a way to cover it. Thankfully I was able to for RIFF Magazine. This is one of those shows where as I’m standing in the pit taking pictures and Peter glances in my direction, I can’t help but wonder how I got to be so lucky to be there in that moment. A bucket list show for me.

Peter Gabriel

Last but not least, there’s DEVO.

This was a personal one for me. I happen to have a small family connection to Mark and Bob (aka aka "Bob 1") Mothersbaugh, lead singer and guitarist respectively, of the influential and should-be-in-the-Rock-Hall-of-Fame synth-pop outfit. The Mothersbaugh family were members of the church my Dad pastored in Cuyahoga Falls, Ohio, where I was born. DEVO made their debut and soon hit it big during the years we lived there, and while Mark and Bob were off making music and no longer hanging around the church by that point, their parents were still active members and served in the children's ministry of our small church. (General Boy taught my brother's Sunday School class - if you're a Spud, you know how cool that is.) We moved away before I was old enough to remember much of Ohio, but this connection has always been a part of our family lore, so I've had it on my bucket list to photograph one of their shows before they stop playing live.

DEVO

Thankfully, I got the chance not only to catch their 50th annivesary tour stop in San Francisco, but to also participate in an interview with a member of the band prior to the show and take a few photos. And even luckier for me, the member that was offered to us for that interview was Mark Mothersbaugh himself. The interview was wide-ranging and engaging, and Mark was a lot of fun to talk to. You can read the interview over on RIFF Magazine, written by David Gill.

As the interview was wrapping up I seized a moment to tell Mark about my connection to his family, and when I mentioned the name of the church, he immediately lit up. He began retelling his memories of growing up there, sometimes playing the organ in the church sanctuary. He got his first pair of glasses - which changed his life, as he tells it - from a shop across the street. He recounted how his Confirmation class photo features him, off to one side, with scrapes and two black eyes due to an unfortunately timed skateboarding incident. I regretted waiting till the end to bring it up, I think we could've talked much longer but his dinner was waiting!

So yeah, bucket list item: ✅

(L to R) Me, Mark Mothersbaugh of DEVO, and David Gill of RIFF Magazine

So all in all, 2023 was a pretty great year. And as always, a big part of what made the year so enjoyable was the fans. From Swifties to Phishheads, Devotees to Sherrios, and everything in between, they continue to be the fuel to my fire, my reason for putting in all the work year after year. Hopefully I bring all of them a little bit of extra joy from my lens. Here’s to more joy in the year to come!

Want to see a few more favorites? Check out the slideshow below!

Or revisit my “Year In Review” for previous years: 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015

2022 In Review: Legends, Myths and Fandoms

While late 2021 marked the return to concerts following the pandemic shutdown, 2022 is when touring really got going.  There were still a number of tours cut short or modified due to COVID outbreaks within the tour crew, but for the most part 2022 felt normal again.

For me, 2022 was a year where I checked a few boxes on my photo bucket list, and shot some of the biggest and most important artists I’ve ever had the pleasure to photograph.  At the top of this list, undoubtedly, would be Sir Paul McCartney.  The man needs no introduction, he is a living legend.  It’s incredible that he still tours with the kind of passion that he does.  I had the chance to photograph the first of two nights of his Got Back tour in Oakland, CA, and he played a 36-song set list.  Thirty six!  And as they used to say, the set list was “all killer, no filler”.  Paul is the only artist I’ve seen that can get away with using only his own music in the pre-show.  I felt very lucky to be one of the photographers covering this tour.  His team was unusually accommodating to photographers and made our jobs easy, which only increased my respect for the man.  To see my photos from this show, check out RIFF Magazine’s review!

Another highlight was when I had the chance to photograph the legendary Pearl Jam for the first time.  I grew up in the grunge era and Pearl Jam was everywhere on the radio during those formative years of my life, making this one a pretty special show for me.  It’s amazing to see how the fans have stuck by them over the years, and their new music sounds just as vital as their older material.  For this show, I made the grave mistake of leaving a crucial piece of my gear at home - my step stool!  For shows of this size, more often than not the photographers are positioned back near the soundboard, which means you’re probably shooting over the heads of the audience.  A step stool is essential if you want to have any hope of keeping people’s heads out of your photos, and I didn’t have mine.  Instead, I had to get up on my tip-toes and brace myself against the metal barrier, and pray that nobody taller than 6’ would be in my sight-line.  For the most part things worked out, though I do wish I could have that show back - with my tallest step stool, of course.  My photos can be seen accompanying a review on RIFF Magazine.

In the same vein as Pearl Jam, I also finally got to see (and photograph) The Smashing Pumpkins this year.  Heavy nostalgia with that one!  The band looked and sounded incredible, though it turned out to be one of the hardest shows I’ve shot in recent memory because we had to shoot from behind the soundboard, and couldn’t use step stools.  Somehow, it all worked out though.

The Smashing Pumpkins

The largest tour I shot this year would belong to The Weeknd.  Originally set to tour arenas in the summer of 2020, and then postponed and eventually cancelled due to the pandemic, this tour got a post-pandemic upgrade from arenas to stadiums after The Weeknd’s unrelenting success with the hit “Blinding Lights” and a memorable Super Bowl halftime show in 2021.  This show took place at Levi’s Stadium in Santa Clara, home of the San Francisco 49ers, and it took every advantage of the upsized venue.  Truly one of the biggest productions I’ve seen, it was breathtakingly beautiful to photograph even as it did justice the dark and ominous mood of his music.

The Weeknd

It wasn’t all big stadium and arena shows this year, however.  I also had the chance to photograph a few old favorites.  In the spring I had the chance to catch Lord Huron’s latest tour at the Greek Theater in Berkeley.  Their latest album Long Lost is a brilliant concept album centered around the idea of memories lost to “time’s blur”.  These guys have a real knack for creating a deep mythology around all of their records, and to promote this record they created an old-timey radio show personality who reminisced about (fabricated) artists on a fake record label whose music and “memorabilia” they hid across Spotify and eBay, respectively.  Their shows keep this mythology in the background, letting the music speak for itself, but it’s no less fun to capture visually.  I’ll never grow tired of photographing these Michiganders.

Lord Huron

Another band I photographed yet again this year was LANY - my fifth time shooting them.  I’ve been shooting their shows since they were just getting started opening for most established bands in small clubs, and now they’re headlining some awfully big rooms around the world.  What endears me to a band like LANY is that unlike most bands, they allow photographers to shoot their entire show.  Shows like this really give me the chance to tell a story with my photography and capture a lot of unique angles and moments that rarely happen in the first three songs.  For this show, LANY’s frontman Paul Jason Klein borrowing cell phones and clothing items from the crowd, climbed high up onto the scaffolding for a song, and welcomed a fan’s newborn baby to the stage, which he cradled precariously while singing.  Epic show.

One first for me this year was being part of RIFF Magazine’s coverage of the three day BottleRock festival in Napa, California. BottleRock has been on my radar for awhile but I haven’t had the desire to brave the crowds and traffic until now, and I’m glad I finally did.  It wasn’t always easy navigating the many stages and the swarms of other photographers, but I got a chance to shoot some legendary performers for the first time like Snoop Dogg and Ice-T, some old favorites like Twenty One Pilots, and some up-and-coming artists like Ron Artis II and the Truth and OTTTO.

2022 was a great year for fans who were starved of live music during the pandemic.  I think I’ve grown more appreciative of the community of live music over these years, and especially so after being denied access to live music these last couple of years.  I shot artists with passionate fandoms this year, including former One Direction heartthrob Louis Tomlinson and K-pop boy band ATEEZ, and I’m always thrilled to document those shows because of the intense love I feel when I publish those pictures on social media.  I’m looking forward to more of these shows in 2023!

Fans of Louis Tomlinson, aka “Louies”

Want to see a few more favorites? Check out the slideshow below!

Or revisit my “Year In Review” for previous years: 2021, 2020, 2019, 2018, 2017, 2016, 2015

2021 In Review: Finally, Concerts!

Finally, concerts.

My last “real” concert in 2020 came on February 29, and aside from a drive-in tribute band show later that summer (a true pandemic experience), I had very little to do until finally bands began to hit the road again in late summer this year. Without a doubt, the most boring year I’ve experienced in my life.

But we’re back!

The Black Crowes

I shook off the rust by shaking my money maker, so to speak, with The Black Crowes. I grew up listening to their music on the radio and knew many of their songs, but I must admit, I had no idea how good these guys were live. I’d always noticed how excited people seemed to get when Chris Robinson would come through town with one of his various incarnations, but it didn’t really hit me just how good he and his band might actually be. And truly, I was blown away. I couldn’t have asked for a better return to the photo pit.

During the pandemic I took the plunge and finally switched to mirrorless cameras, specifically the Nikon Z 6ii. The Black Crowes were my first show with the new bodies, and I was very, very pleased with the result.

I had some growing pains with the new gear during the first few shows I shot this year, but thankfully I was able to cut my teeth on some very well-lit, exciting shows, which made the process a bit easier. As I declared in my earlier blog post detailed my experiences with the Nikon Z system, I’m completely sold on it. It’s hard to imagine going back to a DSLR now!

2021 was, like 2020, an abbreviated year for shooting concerts. Touring didn’t really start back up until summer, and didn’t hit its stride until the fall. I didn’t end up shooting a ton of shows this year, but the ones I did I made count. I shot some of my biggest shows yet this fall, including the massive Hella Mega Tour featuring Green Day, Fall Out Boy, and Weezer.

I also had the opportunity to photograph the first night of Metallica’s 40th anniversary shows at the Chase Center in San Francisco. I had never seen Metallica live before, so was a bit unsure of what to expect. What I discovered is that after 40 years, they still rock harder than anyone else, and their audience is devoted to a degree that I truly didn’t grasp until that night. Fans traveled from all over the world to attend the festivities that weekend, which included shows at other venues by bands associated with Metallica, and they were treated to unique shows featuring deep cuts and rarities in addition to some of their biggest hits. Not many bands can get their fans to travel internationally during a pandemic for a couple of shows, but Metallica’s fans are something special.

Metallica

I also had the chance to shoot some old favorites. I shot Bleachers and LANY for the fourth time each, and in both cases was allowed to shoot the entire show from the audience, rather than the usual 3 songs from the pit or soundboard. These were especially fun shows since both bands played at larger venues with wrap-around balconies, which leads to some fun new angles to play with when you’re allowed to roam the venue like that. Wish I could shoot the whole show more often!

The biggest surprise of the year had to be Black Pumas. I knew there was some buzz around this band after their debut was nominated for a GRAMMY award, but I hadn’t listened to their music much before I shot the first of their two night stand at The Masonic in San Francisco. Lead singer Eric Burton came out on stage and wasted no time jumping into the audience, where he spent almost ten full minutes. At one point I leaned over to the roadie who was patiently waiting in the pit to help Burton get back on stage and asked, “does he always do this?”, to which he replied with a hint of amusement, “it’s always an adventure…” Yeah, suffice to say I will be sure to catch their show from now on when they’re in town.

Black Pumas

All in all, 2021 was a great year. It felt good to get back out and see shows again, and experience the unique communities that form at each of these shows. Every show is different - a Louis the Child audience is different from an Elvis Costello audience, which is different from a Metallica audience! - but in every show there’s a palpable feeling of community and belonging. I love these fan communities, how they come together and bond over their favorite bands if only for a few hours before dissipating back into normal society, and after the year a half of pandemic loneliness, I’ve never appreciated them more.

Here’s to an even better 2022, and hopefully an end to the pandemic!

Want to see a few more favorites? Check out the slideshow below!

Or revisit my “Year In Review” for previous years: 2020, 2019, 2018, 2017, 2016, 2015