2017 In Review

Another year, another retrospective of my concert photography adventures.  I always look forward to writing these posts because it's often easy to forget about the shows I shot just a month or two ago, much less a year ago, and this little trip down memory lane is a great reminder of all the fun I've had in the last year.

As always, this is obviously not an exhaustive list of the shows I've shot, nor is it a collection of my favorite or best shots.  But each shot tells a piece of the story, and every show carries some special weight for me.  And truly there's been some amazing shows this year, so let's get into it.

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First up, Fox Mulder!  Correction, that's David Duchovny, the X-Files actor who has created a second career for himself as a rock 'n roll artist.  When I heard that David would be playing at a smallish basement club in San Francisco, I knew I had to shoot it.  The X-Files were must-see TV for me back in college, and I'm pretty sure that was true for the entire audience at his show as well.  I was given the opportunity to shoot the entire set, and though the light was not ideal, I was pretty happy with the shots I was able to get.  You can find more of those photos on the blog post I wrote after the show.

David Duchovny

David Duchovny

David Duchovny wasn't the only hero of mine I had the chance to photograph in a small club this year.  I was also grateful to catch Filthy Friends, a musical collaboration that features Sleater-Kinney frontwoman Corin Tucker and R.E.M.'s legendary guitarist Peter Buck.  

R.E.M. was one of those bands I didn't appreciate until I was in college, right around the time Monster and New Adventures in Hi-Fi were propelling the band to new heights.  But once I discovered that they had more songs than just "Shiny Happy People" and "Losing My Religion", I was hooked.  Peter and his distinct Rickenbacker guitar tones were a big part of why.

Peter is an interesting guy.  He helped define one of the most important and popular alternative rock bands of all time and is revered by some of the greatest musicians alive, but since R.E.M. broke up in 2011 he records and tours with his numerous side projects, slumming it in tiny clubs and just playing music for the fun of it.  The man cares nothing for the music industry, for the expectations put on musicians, for the fame.  He cares about making music, and that's it.  I expected him to be too important, too famous to dwell amongst the fans after the show was over, but there he was, signing autographs at the merch table like a hungry young musician might.  There's something deeply inspiring about that no matter what form of art you create.

Peter Buck of R.E.M., Filthy Friends, and a bunch of other bands you probably haven't heard of

Peter Buck of R.E.M., Filthy Friends, and a bunch of other bands you probably haven't heard of

Since we're on the theme of small clubs... one of the most fun shows I had the chance to cover this year was in a small club in New York City called Irving Plaza.  I found myself traveling to the Big Apple this spring for a conference related to my day job, and since I was traveling alone I knew I'd have some time to kill in the evenings.  Lo and behold, it turned out that The Band Perry, a now-massively famous country band that I once photographed performing outside the cafeteria at Yahoo HQ before they became famous, would be squeezing into Irving Plaza to play an intimate show for fans and industry folks, debuting a little of their new pop-oriented sound.  I worked a few connections and ended up getting to shoot the show for a NYC-based online magazine.

This wasn't your normal club show, however.  The Band Perry don't usually play clubs anymore, so this was billed as a "pop-up" tour.  Which in part meant they constructed an in-the-round stage in the center of the small room and brought in a higher production value than most bands who play such rooms.  The show was short (maybe an hour tops?) and there was no opening act, but it did not disappoint.  

The Band Perry at Irving Plaza, NYC

The Band Perry at Irving Plaza, NYC

Moving from NYC to the Jersey shore now... I was fortunate to shoot one of my photographic muses, Jack Antonoff of Bleachers, once again at the Fox Theater in Oakland.  Jack puts 110% into his performances, every single time, so I almost can't fail to get an amazing shot of him.  He makes my job so easy!  I hope to never miss one of his performances when he comes through the Bay Area.

Jack Antonoff, looking all Springsteen-esque

Jack Antonoff, looking all Springsteen-esque

Here's a show I actually didn't end up getting to shoot, but I have to mention anyway.  You may remember from last year's review that in 2016 I had the chance to finally shoot one of my all-time favorite bands, Mutemath, when they opened for Twenty One Pilots in Berkeley.  At the time I somewhat prophetically mused that "I'd narrowly missed shooting those guys a couple of times previously, and wondered if I'd ever get the chance."  Well, little did I know how close I came to missing that chance completely.  Only months after wrapping up the support slot on that tour, and shortly before the release of their incredible 5th LP Play Dead, the band announced that founding bassist Roy Mitchell-Cárdenas would no longer be touring with the band.  And then, just five months later, it was announced that legendary drummer/animal Darren King, the driving force of the rhythm section and creative yin to Paul Meany's yang, would be leaving the band completely for unspecified reasons.  (Darren's departure was announced on 808 Day, which I find depressingly coincidental.)  This just weeks before their fall tour was to begin and their new album released.  The news was devastating to fans, and felt like a death knell for a truly incredible band.  Having already replaced one original member a few years back, only one original member would now remain, at least when playing live.

But all was not lost.  Old friends of the band stepped into the vacant roles and rehearsed night and day, and the tour went on with convincing vigor.  And when they passed through San Francisco for a date at the Fillmore in October, it felt as though they never missed a beat.  Sure, it wasn't quite the same Mutemath I've enjoyed in the past.  But the new songs sounded amazing live, and the energy in the room was off the charts.  

And here's the most interesting part: new drummer David "Hutch" Hutchinson, who had been working as a an EMT for more than a decade before the life-changing call came to take Darren's seat at the drum kit, found himself called back into life-saving duty at The Fillmore.  Midway through the show a young fan at the front passed out, apparently exhausted and suffering from hypoglycemia.  The band stopped mid-song and Hutch jumped off the stage to administer first aid while Paul played a beautiful and calming rendition of "You Are Mine" solo.

Never seen anything like it before.

Mutemath at The Fillmore, SF

Mutemath at The Fillmore, SF

Mutemath wasn't the only fun show I went to in October.  October is often one of the busiest months of the year because it seems like all the big tours come through around the same time in mid-autumn.  I could find an amazing show to shoot every single day of the month if I was crazy enough.

But October turned out to be a month of surprises for me.  I started out the month with a bunch of great shows I expected to shoot, and ended up shooting none of them.  Some were cancelled, some didn't come through with approvals, and some I ended up having scheduling conflicts.  But the replacement shows ended up being even better.

First up, I had the chance to shoot at Levi's Stadium in Santa Clara, CA for the first time as Coldplay came back to town at the tail end of their US tour.  I hadn't seen Coldplay since 2002 when they played the Greek Theatre in Berkeley, and it's safe to say their live show has evolved a bit since those days.  It was pretty much a photographer's dream: pit access along the catwalk, confetti, pyrotechnics, and a very energetic Chris Martin making ample use of the catwalk, all in the first three songs.  Most bands won't give you all that right out of the gate, preferring to save some surprises for the end.  But Coldplay held nothing back, thankfully.  Those guys put on a heck of a show, and I'd highly recommend seeing them next time they tour.

Coldplay, descending to earth on a rainbow from a confetti cloud

Coldplay, descending to earth on a rainbow from a confetti cloud

And then, a couple of weeks later, I had the chance to shoot Arcade Fire for the first time when they headlined Oracle Arena in Oakland, CA.  This one wasn't a pit shoot; instead they positioned us back by the soundboard - but outside the crowd barrier.  Not sure why they didn't afford us the protection of being behind the barrier as is normally done; who wants to try and grapple with large amounts of expensive camera gear while people squeeze by in the dark with overflowing beer cups in both hands?!  But at least the show was in the round, which made the distance from the stage a bit less, and the show was pretty amazing, from what I saw of it before I was escorted out at the end of the third song.

I've always loved the ceiling of the Oracle, and I knew going in that I had to get a wide-angle shot that highlights the architecture of the place.  In some ways the ceiling reminds me a little bit of Madison Square Garden, but perhaps a bit less finished.  Being in the round and positioned off-center only makes for a stronger shot, I think!  I was thrilled with the results.

Arcade Fire, in the round

Arcade Fire, in the round

To finish the year off, I had the opportunity somewhat last-minute to photograph a rare performance by Thom Yorke of Radiohead at the Fox Theater.  Thom, along with longtime Radiohead producer Nigel Godrich and audiovisual artist Tarik Barri, only played two shows in California - one in LA and one here in Oakland - before heading off to headline the Day For Night festival in Houston, so I guess our show was a rehearsal of sorts.  I've yet to see Radiohead live but I've long admired their creative spirit, so it was a bit of a treat to catch their mad genius frontman in person like this.  Unfortunately Thom didn't want photographers getting too many good shots of him, apparently, because he had the photographers (all 8-10 of us by my estimate) shooting from the balcony aisles, and in near darkness for most of the time we were given.  Oh well, it was worth it, if only because it gave me an excuse to finally try out the Nikon 200-500 f/5.6 I've had my eye on for awhile!

Thom Yorke and Nigel Godrich

Thom Yorke and Nigel Godrich

In conclusion, 2017 was another great year for me.  I shot some of my biggest shows to date, contributed to a few new publications, and continued to refine my approach to the craft.  I've been a little pickier about the shows I'll agree to shoot in an effort to maintain better balance with my day job, and I think it's been good for me.  I'm looking forward to a bunch of great shows I've already booked for 2018, and hopefully pushing myself to get a little better every day.

Lastly, I wouldn't be doing this if it weren't for the fans who continue to inspire, whether it's with kind words at a show, "likes" on an Instagram post, or just showing up to scream their heads off for their favorite bands.  Thank you, fans, for all of that.  A great fan base makes all the difference, not just for the bands on stage but also for people like me working unnoticed in the narrow gap between the stage and the audience, and I can't stress that enough.  Rock on.

See you in 2018.

Want to see a few more photos? Check out the slideshow below!

2016 In Review

Hard to believe it's that time of year again. Seems like only yesterday I was writing my 2015 "year in retrospect" post (maybe that's because I didn't do any other blogging in the meantime?), but it's already time to look back on another year.

2016 was a fun year for me. I got to shoot a lot of bands I hadn't shot before, and a few that I had already shot once or twice in prior years. There were new favorites to be discovered, unexpected help from unlikely sources, some disappointments and rejections, and a lot of lessons learned along the way. I tried to be a little more selective about the shows I agreed to shoot, and more disciplined about pressing the trigger when I did go and shoot (after all, you've got to sift through all those millions of shots in the hours after the show, and that's not nearly as much fun as it sounds...)

But without further ado, here's a sampling of my favorite moments from the last year. And like last year's review, these may not be what I'd consider my best shots - rather, they might be shots that capture something that reminds me why I love shooting shows, or they may have some other special significance to me.

Here goes.

Troye Sivan

Troye Sivan

In the vein of new artists I shot this year but didn't expect to, here's one of Troye Sivan from his show early this year at the Fox Theater in Oakland, CA.  I hadn't heard of Troye until I went back to Michigan last Christmas and my teenage niece mentioned she was planning to drive 3 hours to see him. Any new artist that gets a teenager to drive that far for a theater-sized concert is probably someone worth paying attention to, because you can bet they're going to be huge soon. I immediately jumped on the chance to shoot his tour stop in the Bay Area, and was not disappointed. Oh, and that thing I said about "going to be huge soon"? After playing the 2,800 seat Fox in February, he came back and sold out the 8,000 seat Bill Graham Civic Auditorium across the bay just 8 months later. Needless to say, I'll be going over my niece's playlist again this Christmas.

Jonathan Richman

Jonathan Richman

If Troye Sivan is the next big thing, then Jonathan Richman might be the exact opposite. Richman has been around since the early 1970's, and is partly known for being in a band that later spun off members to The Cars and Talking Heads. Richman has been tremendously influential in his own right, however - I'll save you the history lesson, as you can learn all about him on Wikipedia - and he's still going strong playing clubs on the west coast. I caught him opening for The Growlers at the Fox, and honestly wasn't prepared for the madness to which I was treated. He has a childlike quality to his performance, wide-eyed and full of enthusiasm and wonder, and you can't help but smile wide and go along for the ride. There's nobody out there quite like him. Jonathan Richman reminded me that night of why I'm addicted to the surprise of live music... and why I always plan to show up for the opener.

Ok, what else?  Well, I was thrilled to have the chance to shoot two supremely talented artists who caused quite a bit of confusion among Taylor Swift and Ed Sheeran fans back in 2015 thanks to their uncannily similar names: Foy Vance and Vance Joy.

Vance Joy

Vance Joy

Foy Vance

Foy Vance

You've probably heard Vance Joy's song "Riptide" somewhere in the last year or two - on radio, TV, movies, etc. It's been pretty much everywhere. But Foy Vance remains somewhat under the radar, despite some pretty sweet gigs opening for Ed Sheeran and Elton John, among others. I'd recommend checking out his excellent new record "The Wild Swan" if you get the chance.

The award for my most intense, and perhaps most fun shoot of the year has to go to the band Foals. Their show at the Fox (yeah, I spent a lot of time there this year) was everything I expected and hoped it would be, which was loud, energetic and unpredictable. Foals is one of those bands that truly gets it when it comes to music photography. They want photographers to capture them at the show's peak - when they're sweaty, tired and cranking the energy to 11. So unlike every other band out there, Foals has the photographers shoot their last three songs instead of their first three. 

The results are kind of spectacular. It's the end of the show so they're playing their biggest hits, the crowd is going crazy, there's guys jumping off the stage... it's a photographer's dream (as long as you've got good insurance on your gear, I suppose.) When the chaos was over, I had a stupid smile on my face that wouldn't go away for hours.

With that show, Foals might've entered my top 5 of bands to shoot.

Foals

Foals

One of the most unexpectedly cool shows I shot this year had to be Bon Iver at the Fox.  I knew Bon Iver - aka Justin Vernon - was an impressive talent from listening to his records, but I didn't anticipate how impressive his live show would be. I've never seen so much gear packed onto the Fox's stage - instruments, lights, an imposing array of enormously tall video screens... there was hardly room to walk on the stage! It certainly wasn't at all what I expected from a guy who's known for some fairly melancholy electronic folk. While Justin was fairly reserved and stationary throughout the show (save for an amazing synchronized dance party at the end with his support act Francis and The Lights), the staging made for some incredible photos, even if it was challenging to get a clear shot at times and I wasn't given much time to shoot close-up. But I was the only photographer approved, and best of all I was given permission to shoot the entire show (except for the aforementioned dance party), which is a rarity for artists of his stature. So this one stands out as one of my favorite shows of the past year.

Bon Iver

Bon Iver

Bon Iver

Bon Iver

And finally there was Twenty One Pilots.  

To say they've have a meteoric rise in the last few years is a severe understatement. They went from playing in Yahoo's cafeteria a few years ago to playing Saturday Night Live and selling out arenas around the world on their latest tour. I'd been fortunate enough to shoot these guys twice in the past two years, both times at the Fox in Oakland. I've always been amazed by their showmanship and the passion of their fanbase, known as the "skeleton clique", not to mention their remarkably candid and thought-provoking lyrics and the simple fact that they just seem like real, stand-up guys. So when they came to town yet again, this time playing not one but two sold-out shows at the venerable Greek Theatre in Berkeley, I knew I had to be there. And even better, they brought along one of my all-time favorite bands, MuteMath, as support. This was a must-shoot show for me.

Thanks to unexpected help from a friend of a friend who knows a guy, I was given the chance to shoot the first night. I wish I could say serendipitous opportunities like that come along all the time, but truthfully it doesn't usually work out that way. So I'm beyond grateful when it does. Shooting that show was truly the highlight of my year, and I'm already crossing my fingers that I'll get the chance to shoot them again in 2017.

Twenty One Pilots

Twenty One Pilots

Twenty One Pilots

Twenty One Pilots

And as I mentioned, one of my favorite bands - MuteMath - opened the show. That was a big one to check off my bucket list. I'd narrowly missed shooting those guys a couple of times previously, and wondered if I'd ever get the chance. Thankful to have gotten some really great shots of them this time around.

I've noted in the past that if there's one thing I love to shoot, it's passion. I love artists who lose themselves on stage and give their all to the performance. It makes for great photography, to be sure, but even as just a fan I find it intoxicating. There's nothing quite like being at a show surrounded by people who all feel the same euphoria about what they're experiencing, and the feedback loop generated with the artist in that moment can be incredible. So here's to those fans and the shows this year that brought the passion in spades. It truly is what keeps me coming back for more.

Here's to a great 2016, and much more to come in 2017.

Want to see a few more? Check out my Flickr album "Favorite Concert Shots of 2016 and the slideshow below!

2015: A Few Favorite Shots, With Words

At the end of a year, there’s a lot of time spent retrogazing online. Everybody seems to do it - there’s the year's top news stories, top search terms, best-of lists everywhere… And concert photographers are no different. The end of the year brings a (relatively) calm respite to the constant barrage of must-see tours, and it allows us a moment to look back at all the fun shows we’ve shot (and yes, some miserable ones too.) And many photographers take a moment to pick our their best images from the year and post them in galleries online.

And music photographers aren’t alone - this year, a tool came along that helped Instagram users identify their “nine best” images from 2015, as ranked by total “likes”. So naturally, I ran my Instagram account through the wringer and, well… I wasn’t totally impressed. It seems that the photos that got the most likes in 2015 were often not my favorite images, but were popular more because of who was in them. I guess I shouldn’t be surprised.

So like many photographers, I took a few minutes and gathered up a few of my favorite 2015 images from my Flickr feed. I quickly came up with 22 images, each of which was special to me for some reason. Perhaps there are more I could’ve included, had they been uploaded to Flickr, or perhaps 22 was already more than enough - there’s something to be said for editing oneself, after all. At any rate, it was good enough and I posted a link to my gallery and moved on.

After returning from holiday travel, I felt that I needed to do something more. It isn’t enough to name your favorites if there’s no context given as to why they’re your favorites, especially since in my case my favorites aren’t necessarily the most unusual, or the most technically excellent exposures that I’ve taken - sometimes they’re my favorites simply because they speak to me in some way, or carry some special memory from the show. 

So here goes nothing - a small sampling of my favorite photos from the year, with words.

First off, here's my most viewed photo of 2015: rapper Lecrae with 2015 NBA MVP Stephen Curry of the NBA Champion Golden State Warriors. After shooting the usual three songs from the pit, which was unusually empty this night, I moved to the back of the room to watch the show. And almost immediately I noticed the MVP standing by the soundboard, as is typical for VIPs. I kept an eye on Steph through the show, not wanting to bother him but dying for a photo op. And to my relief, midway though the show he was whisked backstage and soon after appeared on stage to accompany Lecrae for the song "I'm Turnt". And thankfully I had my long lens ready for the moment! This image was originally posted to Instagram during the show with a very rough edit, and afterwards it was re-grammed by Steph himself to his 7 million followers. My post got 57 "likes" - his post got just shy of 300,000. That's gonna be hard to top in 2016.

Sometimes shows don't go as planned. This is one of those shots I look back at and cringe a little. It's a shot of Gregory Alan Isakov performing at the venerable Fillmore in San Francisco. It's pretty much the only usable shot I got that night. I arrived at the venue late, had problems picking up my photo pass, and then got in only to find there wasn't a photo pit that night. Worse, there aren't many spots at the Fillmore that allow you to shoot over the audience's heads, and I didn't bring a step-stool this night - big mistake. And the balconies were either off-limits or packed full. I took this picture standing on my tiptoes while leaning up against the bar that runs along the side of the venue, tucked inside an arcade of sorts. It was a miserable night, but I was glad to get such a cool image given the circumstances. 

Sufjan Stevens on the Carrie & Lowell tour in Oakland, CA.  This show meant a lot to me, as I detailed in a previous blog post.  This shot gives me goosebumps because it comes at a moment in the show when Sufjan is left alone on the stage, surrounded by the mess of instruments and tools of his genius, working out his grief as only he can. Goosebumps.

I love capturing passion in a performance, and these two images do it in spades. Above, Mikey Hart and Jack Antonoff of Bleachers, and below, Jon Foreman of Switchfoot. Amazing performances from both of those bands this year. I'd gladly shoot nothing but those two bands all year if I could, they make my job so incredibly easy.

Here's a shot that wasn't actually taken during a show - instead, it was taken just before Lord Huron took the stage in Oakland, CA on their Strange Trails tour.  I love those moments before and after the show when there's often a nice, soft stage light and a sense of calm on the stage. Having grown up in Michigan, I was admiring the Michigan state flag draped over Miguel Briseno's bass rig - when suddenly a roadie walked over and posed like this for no apparent reason. The roadie made the image so much better, I think!

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Drummers are incredibly hard to shoot well much of the time. When I get a good one of the drummer, it can feel like winning the lottery. I love this picture of Finish Ticket's drummer in particular because of the intensity with which he plays. You can see the tendons popping out of his neck!

Lastly, here's another black and white that I'm still enamored with. Such a simple portrait of John Bell of Widespread Panic, but I love the pained expression and furled brow, and the asymmetrical lighting across his face. Sometimes passion can be expressed quietly, too.

It's been a good 2015, and here's to many more great shows in 2016!